Video 01/03/2026 3 min read

Music school performance videographer: multicam at ICMP

By Emmet · Published 1 March 2026 · Last updated 1 July 2026

Music school performance videographer: multicam at ICMP

A music school performance videographer has a job with real stakes: the footage is part of a grade. On 1 March 2026 I ran a multicam setup at ICMP music school, filming a band’s final project as they performed to a live audience, assessed against set criteria. This isn’t a music video, it’s evidence for an examiner, and it has to be complete, clear, and reliable. If a course or student needs a graded performance filmed properly, here’s what that takes.

Why film an assessed performance with multiple cameras?

Because one angle can’t show everything an examiner needs. Graded performances are judged on detail, technique, timing, stagecraft, so the footage has to cover the whole band and the individual players. Multicam captures the wide performance and the close technical work at once.

For the ICMP project that meant every member’s contribution was on record, not just whoever stood centre stage.

What makes assessment filming different?

Reliability over flair. A music video can be stylish and selective. An assessment recording must be complete and honest, the full performance, uninterrupted, with clean audio and no missed sections. There are no second takes when it’s a live graded set.

So the setup is built for certainty. Backup, checked angles, and locked settings before the first note.

How do you handle a live audience performance?

Position cameras to capture the room without blocking it. A live audience is part of the assessment atmosphere and part of the experience, so cameras go where they see the band clearly and stay out of the crowd’s way. Quiet operation matters, since the audio is being graded too.

Getting this right means the student gets both a fair record and footage they’d actually want to keep.

Who books performance and assessment filming?

Music schools and students, plus course leaders. LemonLens films performances and multicam sessions across London as part of our video work, alongside live event coverage and artist portraits. Music colleges and rehearsal venues across the city are regular ground.

FAQ

How much does performance filming cost in London?

Multicam performance recording is priced per project, based on camera count and crew, plus edit needs. A single graded set with a clean multicam edit is quoted clearly upfront. Tell me the performance details and I’ll quote.

Do you provide the full uncut performance for grading?

Yes. Assessment work needs the complete, uninterrupted performance with clean sound, so that’s exactly what you get, plus a cut version if you want one for sharing.

How many cameras do you use for a graded performance?

Usually three or four, covering the full band and individual players so nothing important is off-camera. The exact setup depends on the ensemble and the room.

Can you film at our music school or venue?

Yes. The ICMP session ran on their premises with a live audience, and I regularly film in colleges, studios, and performance spaces across London.

Book performance filming

Need a graded or showcase performance filmed properly? Tell me the date, venue, and what the footage is for. I’ll plan the multicam setup and quote. Contact LemonLens.

For artists, a good set of live images travels well onto Songkick and into press coverage from outlets like the BFI.


About the author. Emmet is a London photographer and videographer, and the founder of LemonLens, filming performances, events, and portraits from LemonShark Studio in Fulham (769b Fulham Road, SW6 5HA). See more at lemonlens.com and his portfolio, or follow @lemonlenz_ on Instagram.



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