Pixel-Pony

The first Pixel Pony I ever shot was a collaboration between MLP Rave, a My Little Pony.themed rave, and Pixelate, an up-and-coming early 2000s–themed rave filled with color, nostalgia and reoccuring flashes of our childhoods. When I arrived, I could tell this was going to be special .
The music, and the atmosphere all came together to create something that was litterally unlinke any event I had been to before, like stepping into a memory reimagined through the lens of modern rave photography.

At the start of the event, I had a bit of a funny moment. I thought I saw my ex, but it turned out I just really need glasses. The person I thought was my ex was actually lovely and super friendly, i felt a little bad for giving them a repeated death stare tho.

It was increadible, Everybody was so lovely and it felt like I could walk up to anyone and they would be genuinely excited to have their photo taken. As a rave photographer, that kind of openness makes all the difference. It creates space for genuine expression and connection, which translates perfectly into the images.it felt like I couldn’t miss a single shot. I left with so many bangers that narrowing down my final selection was actually difficult.

Getting into the event, I realised I was capturing some of my best work yet. I was able to get thoes close and personal detailed shots since I had done a good job of introducting myself. As a rave photographer, one of the hardest parts of the job is approaching people and making them feel comfortable enough to be photographed. If you don’t build that quick connection, you often end up with the back of someone’s head instead of a genuine smile or a fun silly pose

That’s what makes rave photography and videography so unique compared to other types of event photography. It’s not just about documenting the event. It’s about communication, timing, and instinct. You have to read the room, talk to people, and sometimes out dance your way into a good shot. It’s completely different from something like corporate event photography, where you might not speak to a single person all night while peering through a 400mm lens from across the room. 

Pixel Pony was hosted at Vauxhall Arches, which turned out to be the perfect environment for this kind of event. The venue had mini games spread throughout, and everyone fully embraced them. I was able to capture some amazing in-action shots of people laughing, cheering, and playing together. Those moments of movement and joy made for some of the most dynamic rave videography footage I’ve ever taken. The combination of flashing lights, colorful outfits, and nostalgic 2000s visuals created a one-of-a-kind atmosphere that perfectly reflected the theme.

Whether it was someone’s first rave, second, or even thousandth, the energy was the same: excitement, creativity, and togetherness I can honestly say both events are phenomenal. Each brings something different to the table, but both share that welcoming spirit that makes the London rave scene so special.

For anyone looking to relive the early 2000s while experiencing the vibrancy of modern rave culture, Pixelate and Pony Party is the place to be. As a London rave photographer, I can say it’s one of the most photogenic and enjoyable events to shoot. Every corner of the venue offers something new, every moment feels electric, and the people make it unforgettable.

So whether you’re there to dance, play, or just soak in the nostalgia, Pixel Pony captures everything that makes London rave photography so exciting. It’s an event that feels like stepping into a colorful time capsule.

can’t wait for the next.

Boogie boogie boogie as they say in the industry.


Find pixelats instagram: here
Find Pony Partys Instagram: here